Tilted Turns 7572 BOTH Tilted turns BREAKDOWN

2025-03-02 · David y Michelle · Priv #6

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Tilted Turns 7572 BOTH Tilted turns BREAKDOWN

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Frame Head Rolls Isolation

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Student: Janel

/Users/seenarezvani/My Drive (seena.rezvani@redbrickip.com)/z Personal/Sensual Bachata/2025-03-02 - DyM - Priv #6 - Janel - Tilted Turns 7572 BOTH Tilted turns BREAKDOWN.mp4

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[00:00] so head rolls we did we call it like a little pop to it so we do want to pop

[00:05] you kind of want to do it from a full head roll so you get some momentum going

[00:09] so I'm going to get her into the head roll create the momentum and then right

[00:13] here we want to make sure we pop her not with her chest or close give a pop

[00:17] her right here she'll go straight into me I want to pop her when she's about to

[00:21] tilt not full tilt when I pop her I add more momentum she end up spinning like

[00:25] this which is uncomfortable for her and it's kind of awkward and also she's

[00:28] going too far out so I want to pop her right before she tilts right before she

[00:33] tilts so I guess I'm a momentum going and right here we go pop I pop with my form we

[00:41] draw the silhouette we go around around around keep contact and I keep it in

[00:46] neutral I make sure not to tuck her in nor stretch her out because that will get

[00:51] her off balance also when I'm doing this spin and don't lock her her friend when

[00:56] I'm doing this spin I try keeping the same speed and not I don't try to speed it

[01:01] up at any point so I'll just really focus for here I try to keep it the whole same

[01:06] rhythm same speed okay

[01:08] what I do as a follow I am thinking of like getting still some like weight here it's like more tension than weight because I want to just like let them like see that I'm here because if I just go then we lose our connection right and if I'm too heavy I also just like

[01:26] give me sticky arms and I'm just like I don't want to go up we end up like here and it's this really awkward

[01:31] thing and uncomfortable thing when you're social dancer so you want to be a good in between of like having tension so I keep my hand up and I connect with them I'm like keeping this connection I'm not pushing hard I'm just keeping the contact that's all like I'm not thinking of pushing I'm just keeping

[01:45] contact so that they're able to control my spin yeah and also for the fall for your general make sure like you keep your line so this is the tilt on the leads choosing you keep the tilt keep the tilt and then at the end when you're done you go back okay and you finish your head roll then

[02:00] okay and you finish your head roll then one thing too is make sure your head is always delayed during your head rolls I was going over it with you but in case you want me to do it you can work on these isolations so just block your head for now and just work on your chest isolation so tilt close tilt open tilt whatever right and then you can let your head fall it can be delayed but like you wait for it where you're at before going before going

[02:26] yeah or you can do it even a little bit more delayed it's up to you what feels more comfortable if it's not comfortable don't do it so I personally go here I let my chest close and then I get to that side I let it open then I get there like it's like it's like a whole step behind so I'm essentially going here here I get there like really late yeah so it's up to you what feels more natural if that's too hard and it's not comfortable for you don't do it but at least delay it here don't ever lead with your head

[02:55] because sometimes this is happening and sometimes also this is happening your shoulders going up yeah I want you to press your shoulder down and keep your frame engaged if your frame is engaged unlocked then this is going to happen this is going to be like the picture which is what you want if you lift this then you're like this and it looks more uncomfortable and it is more uncomfortable you're pinching

[03:13] all right next one what is the one in shallow position so we want to make sure we're imitating the follow at this point so I'm also tilt the angle here make sure we're both preparing this make sure you guys plie

[03:27] okay the plie is what's going to give you guys the momentum you need to actually do this movement if not you're going to force it too much so the plie is a little bent to push will give you the energy

[03:37] so we're going to do a little tilt close now right here when she's closing I transfer my hand down to her like tricep area right here I wait for her to be almost open so about right there

[03:48] then because my hand will give her actual momentum open chest spin and I'm looking for her forearm letting her finish her head roll

[03:56] and one two three four so it's very similar the whole time when she's spinning like I said I want to make sure because it's literally you're doing a little late

[04:06] is that when she as soon as she closes hand goes under okay so as soon as she closes hand goes under wait for her for the perfect moment which is around right there

[04:16] because you're going to add momentum spin I'm tracing her hand I make sure I don't sit here too far out

[04:21] and we click back in and we finish and one two three four five six

[04:28] okay

[04:29] romantic

[04:30] the lot the fuck that was

[04:32] sorry

[04:34] you want to have anything to do

Tilted Turns 7572 BOTH Tilted turns BREAKDOWN

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