whisper (en · auto_raw)
[00:00] I go open.
[00:02] There you go.
[00:04] Now, if you do it again.
[00:06] Do it again.
[00:08] Versus, yeah, this is going to be a little later.
[00:10] Here.
[00:12] Like this, you're kind of just tilted.
[00:14] Yeah, I've allowed you to tilt.
[00:16] I see.
[00:18] It depends what you want.
[00:20] You either are creating a circle or you're going straight for the next leg tilt.
[00:24] Okay.
[00:26] We're looking for like early.
[00:28] Right about there.
[00:30] That was good, Mr. Delvin.
[00:32] I think we're a little close to that now.
[00:34] Yeah, but it was better.
[00:36] P.A. more.
[00:40] That looks beautiful.
[00:42] I still think we're going, I feel like your head is coming really close.
[00:44] It's part of the dumpster.
[00:46] Maybe you see it more.
[00:48] It's part of the risk.
[00:50] It's part of the job.
[00:52] Assumption of the risk.
[00:54] So, but okay, which brings me to another question.
[00:56] When I go plie, lift the drawbridge or whatever, what do I now do?
[01:02] Am I...
[01:03] I know, I know.
[01:04] I know how to answer this.
[01:05] Hold on.
[01:06] I think.
[01:07] I think it's what you're asking.
[01:08] Think about the movement continuing open.
[01:11] Like I want you to think...
[01:12] Oh, so I should open myself?
[01:13] Yeah.
[01:14] And then what do I do?
[01:15] Or I don't know if you open yourself, but you want to make sure you're opening my frame.
[01:18] So right now, you're just kind of tilting from one side to the other.
[01:21] I think what you're thinking of, or what I want you to think of, is making sure you open my frame.
[01:26] Okay.
[01:27] You open.
[01:28] Okay, which means I probably open my frame, right?
[01:30] Usually.
[01:31] It's not just my arm goes up.
[01:32] Yeah, my frame goes up.
[01:33] Yeah.
[01:34] Okay, so it should be more like...
[01:36] Plie, open, chest.
[01:39] That actually felt better to me.
[01:41] That's what I do.
[01:42] Okay.
[01:43] You're doing what you're doing.
[01:45] But then, um...
[01:47] So okay, we come here, I open up doing what she's doing, but then from there what?
[01:52] So...
[01:53] Do I also...
[01:54] I do a very small handbook, per se.
[01:57] So right here I go, pop.
[01:59] And then I go, ah, I stay up.
[02:02] Oh, you okay, you just stay...
[02:03] I stay up, because right now I'm spinning here with the energy up, so that's why I want
[02:06] to keep my energy.
[02:07] As soon as she's done, I reach, uh, recollect down.
[02:10] Okay.
[02:11] So, one more time.
[02:12] Sorry.
[02:13] So, let me go.
[02:15] Here I go, pop, up, up, up, up, up, down.
[02:20] Ah, okay.
[02:21] But I do keep my energy up, because I'm popping here, up, up, up, up.
[02:24] So basically right after the very first, you guys said like, okay, okay, well, plie, and
[02:30] then I want you to open.
[02:33] Once I've done this open, then I'm just, I come back to normal.
[02:37] Yeah, I'm gonna, yeah, continue the circle, up, up, up, and then we go.
[02:40] Yeah, so I don't stay here, I'll test it, I just kind of...
[02:43] I go up a little bit.
[02:44] You want to think of my energy up more than anything, you're doing it right now with your
[02:47] hands, so like, it's making sense for you, you're just here, you want to continue drawing
[02:52] the circle, so you're gonna go like this, you see that?
[02:55] You're now opening my chest.
[02:56] You stay open, open, open, open, open.
[02:59] Or, is it more bolero than open?
[03:02] Because this is the, that means I'm standing here like this.
[03:04] I go like this, a proud chest.
[03:06] I personally, I'm...
[03:07] You just feel pinched, you know what I mean?
[03:09] I wanna say also, if you're mostly going to follow, think of what you're asking her to do.
[03:13] You want her to go here, so if my frame stays up, I'm gonna stay here.
[03:17] If my frame collapses, or if it goes there, that's why I'm going to...
[03:20] Sure, but it gets home when you start rotating, because then I'm like, ugh.
[03:24] But you don't want me to rotate after this, right?
[03:28] You want me to stay here.
[03:29] Right, right.
[03:30] So why didn't you keep my frame here?
[03:31] Yeah, but then what does my chest do?
[03:33] Oh, okay, that's...
[03:34] I mean, whatever David said, but...
[03:35] You say open, yeah.
[03:36] Okay.
[03:37] But what I'm getting at, it's like, let's say you're only thinking of the following, not
[03:40] your own movement, then think of what you're asking, you want to stay here.
[03:43] So I'm like, open, open, open, open.
[03:45] Alright, alright, okay.
[03:46] So like a little problem.
[03:47] I want to see the phone, I don't know anything, or the phone, like, I get
[03:50] the isolation.
[03:51] Yeah, I don't like it.
[03:52] Isolation is your breathing, your energy.
[03:53] I'm trying to match, I'm more sure I match as much as possible as I follow, so then when
[03:56] she's done, I can like, recalib with her.
[03:58] Yeah, yeah.
[03:59] I want to feel her also that you're...
[04:01] It's a stability.
[04:02] I want to feel like the...
[04:03] Yeah.
[04:04] Right now.
[04:05] Basic.
[04:06] Okay.
[04:07] Okay.
[04:08] So then, where did we end up with...
[04:10] Okay, so we just end up like this, and then we go to basic.
[04:13] Yeah.