whisper (en · auto_raw)
[00:00] First movement impulso. We used it with a rompo to find connection. With my shoulder blade, with my waist, his hand is going to slide here. With a rompo with a glade of bolero, he finds another contact to stop the inside of my knee.
[00:19] Do it with rompo please. One, two, three, four. From here, all he does is sense his energy over there and weight over here with rotation. We go one, two. Give me this hand instead because we have more space in this one. Try it.
[00:37] From here, this one, this hand actually doesn't matter but the whole point is from here he sends energy this way. If he wants this, or we're going to glide this way, or we're going to have hand this way.
[00:54] Or he can just not even, you know, this is like the basic foundation. He doesn't have to rotate. He can step back as long as you keep body tension.
[01:03] This tension, this rubber band effect is going to stretch us out and bring us effortlessly together. On one, two, three, four, this is what's happening. One, two, three, four.
[01:20] Five, six, seven, eight. He has to shift my weight on seven by circling my weight back here. I'm going to go basic. That's impulso.
[01:31] Media is any step that gets you to shadow position. Ladies always respect your basic step. Leaders always adjust your step to ladies. Media with rompo.
[01:41] We go one, two, three, four. From here we continue basic on ladies timing. Five, six. Now, manton. We go, actually you know what? Let's do it.
[01:54] No, no, no. Manton is around but you have to bring it. Bring it with the rompo. Okay? So let's do it a little bit this way. You guys can see from here. You're good? Okay.
[02:00] So one basic. On the second one, rompo here and prep. We go one, two, three. We use rompo here prep. One, five, six, seven. One, two, three, five, six. From here.
[02:15] Whenever he decides we do salida is exit. Ladies and gentlemen, you adjust the step. Step, tap, tap, tap. Now see when he adjusts by double timing.
[02:26] Cambio. We call that step. We are back in the normal footing. Now from here again media. Rebote. Exit. Rebote is a rebound.
[02:34] Okay? How do you like my Spanish? My brain is Spanish. Let's go. One, two, three, four. Five, six, seven and one. Two, three, four.
[02:47] My microphone. Salida. We go. One, six, seven and one. Two. Okay, cool. Thank you.
[02:55] Thank you. Thank you very much. Now, few points. When you go to rompo into the media, you go step.
[03:03] Again, rompo is only hip, like boom. Now I'm exaggerating so you know, but it's don't go with your whole body, okay?
[03:09] Because you're kind of like cutting up our space. We need that space. We do rompo not to get close to her, but to indicate that either this change is happening or to prep her for a turn, okay?
[03:21] Use it wisely. When you use rompo for the media, you step, tap. Very important. Your third step is very important. Lateral. Not back, not in place. Lateral. Rotate. This respects the circle she's bringing in.
[03:38] Our hand glides down on her here. Your palm has to be more or less here. Not here. Not here. Not here. Not here. If it's here, you're squeezing too much. If it's here, your palm is squeezing too. Your hand around here. Your forearm has to find the squeeze over here. Boom. Okay?
[03:56] This part finds this part of the lady. If your hand is here, then she's comfortable. We need to have space when we get her into the shadow position. Ladies, we always do our basic. We always finish our basic. For all we know, it's a full turn. We never stop our turn. If he wants a shadow, he stops us. He finds a way to stop us, okay? Might as well be a full turn.
[04:18] Another thing. Another thing, when you do manton, the jacket, first two steps small. Small, small. Third step bigger to adjust the lady. Your hand is going to guide her around your head. Tap. Tap. This hand relaxed. Tap. Tap. Elbows out. Basic. Decorate. Plainly. Tap. Salida. Prep. Pump. First step. Boom. Sideways. Okay?
[04:45] This hand is not pushing or pulling, but with the rotation will indicate because we're already prepped. Step. Tap. Step. Tap. Revote. Happens three days. One. She's in front. Five. Six. Seven. And one. Two. Three. Four. Make sense? Stuff like that. Um. Yeah. I think.
[05:09] Two. Two. Two. Two. I think also I want you to do, I think this side is a little easier maybe. Three. Up. Up. Yeah. Do it this side too. Every movement that I show you, it would be done almost to any side, okay? Salida, the media manton, except for rompo, because rompo always happens through left. Um. What else is there? Impulso? Yeah.
[05:35] When you did a flick, you mentioned that it's a frame of the, the, the, the, that. Yeah. In the case. And when I do rompo, rompo adelante is not like, when I, when I release her arm, I don't release it by, I don't push her back. If she's connected, ladies, when you connect with a gentleman, you find his elbow with your elbow, your forearm, and you give a little bit of your weight. Don't hang on him. We have our posture. Boom.
[06:05] So, when I start soft, my whole body goes like this. So, whenever I feel that he's breathing, again, guys, breathe, there's a bonella before rompo. If he's breathing, I'm ready to go anywhere, right? Because we all are on this side. I'm on my left, he's on, on his right. And obviously, from here, if he moves, because I feel him, I'm putting a little bit of weight on him. If he moves, I have it, I can even close my eyes and understand. Boom. Because he's going circular and brilliant. Guys, don't stop this motion. Don't go.
[06:33] Okay? No breaking energy. Circular. Come. Boom. Scoop her up. Impulso. Tension. Rubber band effect. Come back. Come back, shift weight on 7-8. Any other questions?
[06:51] The combos from the first class? Paseada and completo combined with innocent. Oh, yeah, we did it.